Fantastical, Arresting, Curiouser and Curiouser
Margaret Larlham shares her perspectives on the play
鈥淭his story 鈥� Alice sort of falling down this long hole and going into Wonderland 鈥� seems kind of apt in a strange way as I retire,鈥� said director and adapter Margaret Larlham. 鈥淥ne of my big things is that I am a great faller. I鈥檝e always fallen spectacularly well all through my life, literally. I鈥檓 not really frightened of falling, so it sits well with me. The whole story of this great fall that takes you to another place.鈥�
With the titular character鈥檚 鈥済reat fall鈥� at its center, Larlham鈥檚 "ALICE" seeks to captivate a young audience. However, like previous theatrical adaptations of classic literature that Larlham has done at 色情视频鈥檚 "ALICE: Curiouser and Curiouser" is meant to astonish a mature audience as well.
Larlham describes her unique style of directing and adapting as 鈥渁n interdependency of music and song and physical things鈥� quite sparse in the language.鈥� She adds that she loves the design elements of theatre, 鈥渁nd making the world of the play so arresting for children鈥� using aesthetic appeal.
The world of this play as envisioned by Larlham is colorful and spectacular. Her directorial concept was partly inspired by visits to Oxford, England, where author Lewis Carroll studied and taught. 鈥淚t鈥檚 full of secret gardens and on the architecture too, there are gargoyles and whimsical things, cats and creatures like the jabberwock,鈥� she said.
British music and popular culture form the other part of Larlham鈥檚 conceptual inspiration, particularly that of the Beatles, John Lennon, Freddie Mercury and even Monty Python. 鈥淚t all belongs to that same genre of messing around between logic and nonsense,鈥� she said.
Notable visual elements of the production include the set, a giant chessboard with raised 3-D squares, designed by M.F.A. Scenic Design student Chad Dellinger. Costume design graduate student Emily Smith also created a small army鈥檚 worth of fantastical costumes for the large ensemble cast of the show.
Speaking fondly of her cast, Larlham said, 鈥淭hese students are incredibly talented. I鈥檓 so lucky to work with them.鈥� She believes in the merits of theatre for young audiences as an educational tool for student actors, and said, 鈥淧erformers get the very best kind of training to perform for child audiences. It鈥檚 really nothing about ego. It鈥檚 all about the story, clarity of character, generosity of performance and collaboration.鈥�
As for what audiences should take away from the show, Larlham is comfortable with multiple interpretations of Carroll鈥檚 world and Alice鈥檚 journey. She feels that the story is one of self-exploration, and of finding one鈥檚 own way around the world we live in.
鈥淎lice is like all children 鈥� having to make sense of the world with what she knows," Larlham said. "But sometimes the world has got these hidden rules that seem to direct peoples鈥� behavior, and she challenges that. One remembers very well that bafflement that you have as a child about adult society and how it鈥檚 going along. And you try to penetrate it 鈥� you鈥檙e lovely and strong and bold at that stage, and so it鈥檚 wonderful to remember that.鈥�
